It appears that my condo simply will not sell with my tenants still in it, and not without a thorough painting and re-carpeting and a few other fixes. That's just to sell at around market value, maybe less. That's the straight talk I got from my realtor early yesterday morning when I went out to meet with him at the condo.
I realize that I'm lucky compared to people who are losing everything now, owing money after selling. I have equity after 20 years, though much less than I should have because of refinancing to survive during all my years of being a starving freelancer. I do have a line of credit to draw on to pay for renovations. I have no savings. After the tenants move out this summer - and for however long it takes to sell the place - I'll be paying the mortgage, etc. there while also paying full rent for my own place when I move out from living with K. Rents are very high here; things would have been tighter even without adding the condo to cover. Alternatively, I could continue to rent it out for another year (or two, or three) while the place slowly falls apart, opening up my wallet up whenever anything breaks. I'm disinclined to continue to be an absentee landlord. I'm also disinclined to share another apartment when I move. I'll be 50 this fall. Can I please now have my own place to myself?
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I dragged myself out to a movie event last night, meeting people first at a local restaurant. I'm so glad I went. I forgot about everything else. We saw the 1983 movie Heat and Dust at the Harvard Film Archive, which has been running a series on Merchant Ivory Productions in India. James Ivory was there (he's about 80 now, and still producing and directing movies) and spoke before the film and answered questions afterwards. Like the movie itself, he took awhile to get warmed up during the question session, but he had some interesting things to say about how he came to shoot films in India (he and Ismael Merchant, who died in 2005, did several films in India), how he is written about as an English filmmaker (he's American), his collaborations with Merchant and the writer Ruth Prawer Jhabvala, and so forth. He said that he could never shoot films in India today (presumably, like the ones he has shot) because India has changed so much.
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Visiting the heat and dust of the film for two hours or so was a welcome little vacation from the freezing cold in Cambridge last night. The wind chill must have been in the single digits, this in the last few days of March. Sigh. At least we were fortified for our walk over to the HFA by the good hot, spicy food we had at Tanjore, chosen for its ability to accommodate a large table of people, but fortuitously Indian. Also by chance, I took with me on the T the novel I'm reading, Brick Lane, about Bengali immigrants living in London. It's more about the life of one Bangladeshi woman and her family and community than about culture clash (at least at halfway through), but the most similar theme between it and the movie is the status of women (see Roger Ebert's review), their romantic choices as acts of dissent, and the consequences of those choices.
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I woke this morning dreaming not of India but of my condo living room, filled with scaffolding, ladders, drop cloths, and dripping with paint. I could smell the latex.
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